I think William felt slighted when I featured Cormac in an artistic pose. He appears to have produced his own psuedo-Flemish masterpiece.
Let’s see, we have two ride-on toys and two…no…three stuffed puppies and a blankie. All we’re missing is the ubiquitous bowl of fruit. He seems to have borrowed from Vermeer there, with the light entering the scene from the left side.
I am very pleased with this artistic promise.
The ride-on horsey looks beautiful in the glow of the sunlight. This scene is definitely influenced by the Dutch Masters. Bravo, William. Bravo.